vanity fair
Give me a like.
fashion life
Acrylic on canvas 92 x 73 cm
fashion week
Acrylic on board 87 x 61 cm
MEMORY
Acrylic on canvas 81 x 65 cm
FLOW
Acrylic on canvas 92 x 73 cm
Fashion Life
In "Fashion Life", visual criticism manifests through a perverse contrast. Three figures, dressed in opulent textures evoking natural furs and haute couture fringes, parade over the abyssal void of the black background. However, their humanity has been nullified; their faces are blind, empty masks, without gaze or identity, reduced to mere supports for the exhibition of form and color. I explore the paradox of the tyranny of the image: how the pursuit of a supreme aesthetic can lead to total dehumanization. It is an anatomy of fashion where the garment survives the wearer, a simulacrum of life where the simulacrum has won the battle.
Fashion Week
"Fashion Week" is a visual satire on the architecture of appearance. In this work, the figures shed their silk to reveal a chimera-like physiognomy, where the body is not an object of desire, but a territory of mutation and estrangement. I explore the irony of public exhibition: the tension between the external gaze, symbolized by that clock-eye marking the expiration of the aesthetic, and the organic fragility we try to hide under the concept of "style." It is a parade of fragmented identities walking over the void of their own representation.
Memoria (Memory)
In "Memoria", identity is an organic palimpsest. I explore memory not as a static archive, but as an active and parasitic biological structure colonizing the subject. The central figure becomes a territory of sedimentation where the fossil gaze, the neurochemical tangle, and the blood pulse of the unrecoverable coexist. It is a dissection of the inhabited consciousness: the architecture we build with the remains of what we were to try and sustain the fragility of what we are against the void.
Flujo (Flow)
In "Flujo", form renounces its fixity to reveal the current that sustains it. I explore the body as a map of transits, an organic geography where the border between the internal and external dissolves into a continuous vibration. It is not a representation of the figure, but of the energy that traverses and fragments it until it becomes a pure visual event. It is the capture of a moment in which matter, far from being solid, recognizes itself as a process of perpetual transformation against the immutability of the void.