A PEACEFUL PLACE
Where Time Slows Down.
THE ORIGIN
Acrylic on canvas 92 x 73 cm
THE EASY WAY
Acrylic on board 73 x 60 cm
A NATURE WALK
Acrylic on canvas 92 x 73 cm
POINT OF VIEW
Acrylic on canvas 73 x 92 cm
inn
Acrylic on canvas 73 x 92 cm
Nacimiento (The Origin)
In "Nacimiento", consciousness manifests as an organic and ancient architecture. I explore the genesis moment not as a biological event, but as the entrance into a structure of time and memory. The piece presents becoming as a circular transit, where the path and the labyrinth coexist over a stream where time —symbolized by the submerged clock— dissolves before the eternity of the immaterial. It is a visual dissection of the threshold, a reflection on the inertia of origin within a landscape suspended between the solidity of the earth and the vibration of the spirit.
El camino fácil (The Easy Way)
"El camino fácil" operates as a subversion of desire. In this piece, the geometric order of the established —the manicured hedge, the imposing architecture— does not offer refuge, but rather a structure of voluntary confinement. I explore the paradox of inertia: how the security of the known becomes a labyrinth where the only real exit is the abyss of the uncertain. It is not a representation of success, but a dissection of the isolation generated by conformism.
Paseo por el campo (A Walk in the Countryside)
"Paseo por el campo" is a visual irony that operates as a ritual of transmutation. In this work, physical displacement becomes a process of organic absorption. The central figures, deprived of sight, are integrated into a biological geography where the subject dissolves into the surrounding matter. I explore the fragility of individual consciousness against the inertia of a nature that not only contains, but assimilates and fossilizes. It is a dissection of the threshold between being and becoming, where the countryside is not a setting, but an active agent of oblivion and perpetual transformation.
Punto de vista (Point of View)
In "Punto de vista", reality is organized as a fortress of introspection. I explore the distance necessary to understand the structure of the being: an architecture enveloped in labyrinths that rises over a territory of fluids and organic forms. The piece presents consciousness as a solitary watchtower, a refuge where the point of view is not just a physical position, but an act of will against the chaos of the environment. It is a reflection on the periphery and the center; a space where observing the world requires, first, having built one’s own order within the labyrinth.
Posada (The Inn)
In "Posada", the landscape ceases to be an environment and becomes a state of mind. The labyrinth, suspended like an architecture of thought, guards the access to the unexplored: the refuge within the rock. I explore the duality between the exterior transit and the stillness of the center, where the water operates as a mirror of waiting. It is a reflection on necessary isolation, an inn for the spirit on a horizon where paths bifurcate over the abyss and the only possible entrance is silence.
MONADAS
Acrylic on canvas 92 x 73 cm
Monadas. The geography of consciousness.
In "Monadas," existence manifests as a cartography of the immaterial. I explore the connection between the core of the being —that central red figure suspended in a temple of water— and the structures rooted in the earth that define our reality. The piece presents a horizon where individual consciousness navigates in vessels of myth and vision, a threshold where the hybrid forms of the sky operate as vehicles of memory and desire. It is a visual dissection of unity: a space where time and space dissolve into a perpetual journey towards the integration of the self with the whole.