annunakis
We came to show you
EXODUS
Acrylic on canvas 92 x 73 cm
pasupati
Acrylic on canvas 92 x 73 cm
selene
Acrylic on board 87 x 61 cm
cliodhna
Acrylic on canvas 100x 65 cm
coventina
Acrylic on canvas 92 x 73 cm
Éxodo (Exodus)
"Éxodo" is a choreography of survival on a plane of suspension. In this work, the concept of displacement moves away from the physical to become a process of biological transmutation. The central figures, dark and sinuous structures, act as vehicles for a cellular memory that disintegrates and expands simultaneously. I explore the transit between states of existence, where the void is not an absence, but the fertile medium where form seeks a new order. It is a reflection on necessary divestment and life's inertia to perpetuate itself within the unknown.
Pasupati
In "Pasupati", the figure emerges as an axis of consciousness between chaos and order. I explore divinity not as an external concept, but as an organic and forceful presence that inhabits the storm. The skin, dyed with the color of the infinite, acts as a threshold where anatomy merges with the architecture of myths. It is a dissection of the archetype: the protector born of the earth and crowned by the wind, an entity suspended in a time that knows no human measure, where form is but the echo of an ancient and immutable force.
Selene
In "Selene", the night is not an absence of light, but a stage for revelation. I explore the body as a mythological vestige, where the animal and the human converge in a static dance before the vastness of the horizon. The figures operate as archetypes of a lunar memory, inhabiting a suspended temporality where symbols —the rope, the instrument, the horn— cease to be objects and become extensions of the being. It is a dissection of the silent rite: a search for harmony within strangeness, under the gaze of a sky that pulses with the inertia of the eternal.
Cliodhna
"Cliodhna" is not a landscape, but a state of consciousness. In this work, the central totemic figure stands as a guardian of perception, mediating between the earthly plane —fragmented into furrows of color— and a cosmic sky presided over by the moon and winged entities. I explore the architecture of the sacred and how certain deities operate as portals toward forgotten dimensions of the self. The river crossing the composition functions as a flow of time and memory, inviting the viewer into an immersion of the ineffable.
Coventina
In "Coventina", existence is revealed as a perpetual rite of passage. I explore the human condition not as a fixed form, but as an organic architecture in a constant state of becoming. The piece presents the body as an ivory temple collapsing before the vastness of an absolute black void, a threshold where pain and beauty converge in a static dance. The orange dragons, totems of a circular and immutable energy, frame this transmutation under the gaze of a central eye that observes, imperturbable, the choreography of fragility and eternal return. It is a visual dissection of the being: a space where flesh becomes symbol and transformation is the only possible truth.